apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·General Winfield Scott
General Winfield Scott by George Catlin

plate no. 8206

General Winfield Scott

George Catlin, 1835

oilRealismportraitportraitfiguremilitary uniformmanhistorical
some experience helpful

Recreating this portrait will help students develop skills in accurately rendering skin tones and understanding light and shadow to create form. It also provides practice in painting details like fabric and metallic textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure's proportions and pose on the canvas.

  2. step 02

    Block in the main areas of color: skin, uniform, and background.

  3. step 03

    Establish the basic values (light and dark) in the face and uniform.

  4. step 04

    Begin refining the skin tones, paying close attention to subtle color variations.

  5. step 05

    Add details to the uniform, such as buttons, epaulettes, and collar.

  6. step 06

    Refine the background, ensuring it complements the figure without distracting from it.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Apply final details and adjustments to achieve a realistic likeness.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · cadmium yellow · alizarin crimson

Mix skin tones by blending white, sienna, umber, and small amounts of crimson and yellow. Use ivory black and burnt umber for the dark uniform, adding small amounts of white for highlights. Mix yellow and white for the gold trim.

techniques

  • ·blending
  • ·layering
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to accurately capture the proportions of the face.
  • →Ignoring subtle color variations in the skin.
  • →Creating harsh lines instead of smooth transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium yellow oil paint
  • ·alizarin crimson oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy