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home·artworks·Gate near the Qutub Minar. Old Delhi
Gate near the Qutub Minar. Old Delhi by Vasily Vereshchagin

plate no. 8710

Gate near the Qutub Minar. Old Delhi

Vasily Vereshchagin, 1875

oilRealismcityscapearchitecturebuildingarchwayfiguregrasssteps
some experience helpful

Recreating this painting will help students develop skills in rendering architectural details with texture and creating depth through value changes. It also offers practice in depicting a figure within a landscape.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the building and archway, paying attention to proportions.

  2. step 02

    Block in the main color areas: the pinkish-red of the building, the green of the grass, and the dark interior of the archway.

  3. step 03

    Begin adding details to the building, using small brushstrokes to create texture and suggest the intricate carvings.

  4. step 04

    Develop the value range within the archway, creating depth and shadow.

  5. step 05

    Paint the figure in the distance, keeping it simple and focusing on its silhouette.

  6. step 06

    Add highlights to the building and grass to create contrast and visual interest.

  7. step 07

    Refine the details and textures, ensuring that the overall composition is balanced.

  8. step 08

    Add final touches and adjust colors as needed.

color palette

primary · pinkish-red · cream · brown · green

secondary · yellow ochre · sky blue

Achieve the pinkish-red by mixing red with white and a touch of brown. Create variations in the green by adding yellow or blue.

techniques

  • ·dry brush texture
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details, resulting in a stiff and unnatural look.
  • →Failing to create enough contrast, making the painting appear flat.
  • →Ignoring the atmospheric perspective, causing the background to appear too sharp.
  • →Getting the proportions of the architecture wrong.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Acrylic or oil paints
  • ·Round brushes (small to medium)
  • ·Flat brushes (small to medium)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil (if using oil paints)
  • ·Odorless mineral spirits (for cleaning brushes)

optional

  • ·Medium gloss
  • ·Easel
  • ·Reference photo print

Use a canvas with a fine texture to allow for detailed brushwork.

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oil painting for beginners →how to learn by studying the masters →
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