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home·artworks·Frigate Giving a Salute
Frigate Giving a Salute by Simon de Vlieger

plate no. 3866

Frigate Giving a Salute

Simon de Vlieger, 1648

oil, canvasBaroquemarinashipswaterskyfigurescloudsmarina
some experience helpful

Recreating this painting will help students practice atmospheric perspective and subtle color mixing to create a sense of depth and mood. It also provides an opportunity to study reflections in water and the rendering of ships and figures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line and the placement of the ships.

  2. step 02

    Establish the sky with a thin wash of muted blues, grays, and yellows, blending the colors to create a cloudy effect.

  3. step 03

    Paint the water with horizontal strokes, reflecting the colors of the sky and the ships.

  4. step 04

    Block in the shapes of the ships, paying attention to their proportions and details.

  5. step 05

    Add details to the ships, such as sails, rigging, and figures.

  6. step 06

    Refine the reflections of the ships in the water, using lighter and darker values to create a sense of depth.

  7. step 07

    Add final details, such as highlights on the water and subtle variations in the sky.

  8. step 08

    Glaze with thin layers to unify the painting and enhance the atmospheric effect.

color palette

primary · titanium white · raw umber · ultramarine blue

secondary · yellow ochre · burnt sienna

Achieve the muted tones by mixing white with small amounts of raw umber, ultramarine blue, and yellow ochre. Use burnt sienna for warmer accents and shadows.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·wet-on-wet blending
  • ·rendering reflections

common pitfalls

  • →Overworking the details of the ships too early.
  • →Creating too much contrast, which can flatten the image.
  • →Ignoring the subtle color variations in the sky and water.
  • →Making the reflections too symmetrical or detailed.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·linseed oil
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the transparency of the colors.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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