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home·artworks·Flower Seller
Flower Seller by Alexei Harlamoff

plate no. 4329

Flower Seller

Alexei Harlamoff

oilRealismportraitfigureportraitflowersrosesshawlhair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating soft, diffused lighting. It also provides practice in rendering textures like fabric and floral details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and the flower arrangement.

  2. step 02

    Establish the background with a thin wash of neutral tones, focusing on the subtle variations.

  3. step 03

    Block in the main areas of color for the skin, hair, clothing, and flowers.

  4. step 04

    Refine the facial features, paying close attention to the subtle shifts in value and color.

  5. step 05

    Develop the details of the shawl, using short, broken brushstrokes to suggest the texture.

  6. step 06

    Add details to the flowers, focusing on capturing the form and color variations of each bloom.

  7. step 07

    Soften edges and blend colors to create a sense of atmosphere and depth.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of realism.

color palette

primary · ivory black · burnt umber · cadmium red · titanium white

secondary · alizarin crimson · yellow ochre · sap green

Mix various shades of pink and red for the roses by blending cadmium red, alizarin crimson, and titanium white. Achieve skin tones by mixing titanium white, yellow ochre, burnt umber, and a touch of cadmium red.

techniques

  • ·portrait painting
  • ·blending
  • ·glazing
  • ·scumbling
  • ·soft edges

common pitfalls

  • →Overworking the details, resulting in a stiff and unnatural appearance.
  • →Failing to capture the subtle shifts in value and color, leading to a flat and lifeless painting.
  • →Using colors straight from the tube without mixing, resulting in a harsh and unnatural palette.
  • →Ignoring the importance of soft edges, leading to a painting that lacks atmosphere and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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