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home·artworks·Figures Gambling in a Tavern
Figures Gambling in a Tavern by David Teniers the Younger

plate no. 0567

Figures Gambling in a Tavern

David Teniers the Younger, 1670

oil, canvasBaroquegenre paintingfigurestaverngamblinginteriortabledog
experienced study

Recreating this painting will help students develop skills in rendering figures in a dimly lit interior and understanding atmospheric perspective to create depth. It also provides practice in capturing realistic textures of various materials like wood, fabric, and metal.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Establish the light source and begin to build up the shadows and highlights.

  4. step 04

    Start working on the figures, paying attention to their anatomy and expressions.

  5. step 05

    Develop the details of the interior, including the furniture, objects, and architectural elements.

  6. step 06

    Refine the colors and values to create a sense of depth and atmosphere.

  7. step 07

    Add final details, such as highlights on the objects and textures on the clothing.

  8. step 08

    Glaze the painting to unify the colors and create a sense of depth.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · ultramarine blue · cadmium red light · Naples yellow

Mix various shades of brown and gray by combining burnt umber, raw sienna, ivory black, and titanium white. Use ultramarine blue to create cooler shadows and cadmium red light to add warmth to the skin tones.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to speed up the underpainting process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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