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home·artworks·Emperor Charles I of Austria
Emperor Charles I of Austria by John Quincy Adams

plate no. 4706

Emperor Charles I of Austria

John Quincy Adams, 1917

oil, canvasRealismportraitportraitfigureclothingcapecurtaininterior
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating subtle value shifts to model form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure, paying attention to the overall composition.

  2. step 02

    Block in the main areas of color, focusing on the large shapes of the clothing and background.

  3. step 03

    Establish the light and shadow patterns on the face and figure, using a limited palette of earth tones.

  4. step 04

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Add details to the clothing, including the gold braid, buttons, and decorations.

  6. step 06

    Develop the background, creating a sense of depth and atmosphere.

  7. step 07

    Add highlights and shadows to create a sense of volume and form.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and realistic painting.

color palette

primary · titanium white · burnt sienna · cadmium red · ivory black

secondary · yellow ochre · ultramarine blue

Mix various shades of gray for the uniform by combining white, black, and a touch of sienna. Achieve the red of the cape by mixing cadmium red with a touch of burnt sienna and black for shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·color mixing
  • ·modeling form

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details before establishing the overall values.
  • →Using too much paint and losing the subtle color variations.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a medium-tooth canvas for best results. Allow each layer of paint to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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