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home·artworks·Emilia Van Nassau-Beverweerd
Emilia Van Nassau-Beverweerd by Gerard van Honthorst

plate no. 1006

Emilia Van Nassau-Beverweerd

Gerard van Honthorst, 1649

oilBaroqueportraitportraitwomandresspearlshairfigure
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, rendering skin tones, and depicting fabric folds and textures. It also provides practice in creating a sense of depth and form through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the figure, focusing on the head, shoulders, and dress.

  2. step 02

    Establish the background with a dark, even tone.

  3. step 03

    Block in the main skin tones, paying attention to the highlights and shadows on the face and neck.

  4. step 04

    Begin layering the dress, using a mix of blues and whites to create the folds and highlights.

  5. step 05

    Add details to the hair, using thin brushes to create individual strands and curls.

  6. step 06

    Carefully paint the pearls, using highlights and shadows to give them a realistic sheen.

  7. step 07

    Refine the facial features, paying attention to the eyes, nose, and mouth.

  8. step 08

    Add final details and adjust values as needed to create a cohesive and realistic portrait.

color palette

primary · titanium white · ultramarine blue · raw umber

secondary · cadmium red light · yellow ochre

Mix white with small amounts of raw umber and cadmium red for skin tones. Use ultramarine blue and white to create the various shades of blue in the dress. Add small amounts of yellow ochre to the skin tone mix for warmth.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·chiaroscuro
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions in the initial sketch.
  • →Overly harsh or muddy skin tones.
  • →Lack of depth and dimension in the dress.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 6, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for blending and layering.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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