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home·artworks·Dutch Ships Revictualling off a Rocky Coast
Dutch Ships Revictualling off a Rocky Coast by Simon de Vlieger

plate no. 9422

Dutch Ships Revictualling off a Rocky Coast

Simon de Vlieger, 1637

oil, canvasBaroquemarinashipsseacliffsfiguresskyrocks
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering realistic waves and rock formations. It also provides practice in creating a sense of depth and distance.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the ships and cliffs.

  2. step 02

    Establish the sky with a light gray wash, blending darker tones towards the top.

  3. step 03

    Block in the dark tones of the sea and the shadows on the cliffs.

  4. step 04

    Add the basic shapes of the ships, paying attention to their relative sizes and positions.

  5. step 05

    Begin layering lighter tones on the cliffs to create highlights and texture.

  6. step 06

    Develop the waves, using short, choppy brushstrokes to suggest movement.

  7. step 07

    Add details to the ships, such as sails, masts, and rigging.

  8. step 08

    Refine the details of the figures and the foreground elements.

color palette

primary · titanium white · raw umber · ivory black

secondary · yellow ochre · Prussian blue · burnt sienna

Mix various shades of gray for the sky and sea by combining white, black, and a touch of blue or umber. Use yellow ochre and burnt sienna to add warmth to the cliffs.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·broken color

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating too much contrast in the sky, making it appear unnatural.
  • →Failing to establish a clear sense of depth.
  • →Making the waves too uniform and lacking in movement.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·Prussian blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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