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home·artworks·Democritus and Heraclitus
Democritus and Heraclitus by Hendrick Terbrugghen

plate no. 1435

Democritus and Heraclitus

Hendrick Terbrugghen

oilBaroquehistory paintingfiguresbookmenbeardsrobeslight
experienced study

Recreating this painting will help students develop skills in portraiture, particularly rendering realistic skin tones and textures, and understanding chiaroscuro to create dramatic lighting effects. It will also help in learning how to create a focal point using light and composition.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the composition and proportions of the figures and the book.

  2. step 02

    Establish the background with a thin wash of dark, warm colors.

  3. step 03

    Block in the main shapes of the figures and the book with mid-tones.

  4. step 04

    Begin building up the shadows and highlights on the faces and hands, paying close attention to the light source.

  5. step 05

    Refine the details of the clothing, adding folds and textures.

  6. step 06

    Work on the book, carefully rendering the pages and the figures depicted on it.

  7. step 07

    Adjust the overall values and color temperature to create a sense of depth and atmosphere.

  8. step 08

    Add final details and highlights to enhance realism.

color palette

primary · burnt umber · raw umber · ivory black · titanium white

secondary · yellow ochre · cadmium yellow light · alizarin crimson · ultramarine blue

Achieve skin tones by mixing white, umber, ochre, and a touch of red. Use black and umber for shadows, and add blue to cool down the dark areas. Mix yellow and white for the light of the book.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle shifts in color temperature.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·retouch varnish

Use a canvas with a smooth texture for easier blending. Consider using a toned ground to establish the initial values.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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