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Daffodils by William Logsdail

plate no. 4989

Daffodils

William Logsdail, 1935

oilRealismflower paintingflowersdaffodilsvasestill lifetablebackground
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations in tone and learn to depict the form of flowers through careful observation of light and shadow. It also provides practice in rendering transparent objects like the vase.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the vase and the overall arrangement of the flowers.

  2. step 02

    Block in the background with a light, neutral color, paying attention to the vertical stripes.

  3. step 03

    Establish the main values of the flowers, differentiating between the yellow and white petals.

  4. step 04

    Begin adding details to the flowers, focusing on the shapes of the petals and the centers.

  5. step 05

    Paint the stems and leaves, using varying shades of green to create depth.

  6. step 06

    Render the vase, paying attention to the reflections and refractions of light.

  7. step 07

    Add highlights and shadows to create form and dimension.

  8. step 08

    Refine the details and make any necessary adjustments to the composition.

color palette

primary · yellow ochre · titanium white · sap green · raw umber

secondary · cadmium yellow light · viridian · burnt sienna

Mix various shades of yellow by combining yellow ochre and cadmium yellow light with white. Create greens by mixing sap green and viridian with yellow. Use raw umber and burnt sienna to create the neutral background and shadows.

techniques

  • ·color mixing
  • ·layering
  • ·blending
  • ·rendering transparency
  • ·observational drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to accurately capture the subtle color variations in the flowers.
  • →Making the vase appear opaque rather than transparent.
  • →Ignoring the background and its effect on the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·odorless mineral spirits or water

optional

  • ·medium gloss
  • ·retarder

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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