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home·artworks·D. I. Mendeleev
D. I. Mendeleev by Ivan Kramskoy

plate no. 4290

D. I. Mendeleev

Ivan Kramskoy, 1878

oilRealismportraitportraitfigurebeardclothinghandman
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones and textures. It also provides practice in creating depth and form using subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure, paying attention to the placement of the head, shoulders, and hands.

  2. step 02

    Establish the overall value structure by blocking in the background and major areas of light and shadow with thin washes of color.

  3. step 03

    Begin refining the facial features, focusing on accurate placement and proportions of the eyes, nose, and mouth.

  4. step 04

    Develop the skin tones by layering and blending different shades of warm and cool colors, paying attention to the subtle variations in value.

  5. step 05

    Render the beard and hair with careful attention to the direction of the strands and the play of light and shadow.

  6. step 06

    Paint the clothing, focusing on the folds and drapery and how they define the form of the figure.

  7. step 07

    Add details such as the hand and cigarette, paying attention to the subtle nuances of light and shadow.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the values and colors are balanced and harmonious.

color palette

primary · burnt umber · raw umber · ivory black · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue

Mix skin tones by combining white, yellow ochre, and a touch of red. Use umbers and black to create shadows and darker values. Add small amounts of blue to cool down skin tones.

techniques

  • ·portraiture
  • ·value studies
  • ·layering
  • ·blending
  • ·scumbling

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the subtle variations in value.
  • →Failing to capture the likeness of the subject.
  • →Creating muddy or dull colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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