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home·artworks·Cows Returning from the Mountainside
Cows Returning from the Mountainside by Theodore Rousseau

plate no. 0831

Cows Returning from the Mountainside

Theodore Rousseau, 1865

oilRealismlandscapetreeslandscapecowsfigurewaterforest
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as using loose brushwork to suggest detail rather than rendering it precisely. Students will also learn to simplify complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, figures, and water.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Begin layering in the darker areas of the trees and foliage, using a mix of browns, greens, and blacks.

  4. step 04

    Add highlights to the trees and foliage with lighter shades of green, yellow, and brown.

  5. step 05

    Paint the sky with soft, blended colors of yellow, blue, and white.

  6. step 06

    Add the figures and cows, paying attention to their relative size and placement.

  7. step 07

    Paint the water with horizontal strokes, reflecting the colors of the sky and surrounding landscape.

  8. step 08

    Add final details and highlights to the painting, using a small brush and thin paint.

color palette

primary · burnt umber · yellow ochre · Prussian blue · titanium white

secondary · cadmium yellow · sap green · raw sienna

Mix dark greens by combining Prussian blue and yellow ochre. Create muted browns by mixing burnt umber with small amounts of blue or green. Achieve atmospheric perspective by adding white to colors as they recede into the distance.

techniques

  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Creating colors that are too saturated and unnatural.
  • →Failing to establish a strong value structure.
  • →Making the composition too symmetrical or static.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·Prussian blue oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to create a harmonious color scheme.

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oil painting for beginners →how to learn by studying the masters →
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