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home·artworks·Cottages in the Jura
Cottages in the Jura by Theodore Rousseau

plate no. 5063

Cottages in the Jura

Theodore Rousseau, 1834

oil, paperRealismlandscapecottagesmountainstreesskylandscapebuildings
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the texture of different surfaces using varied brushstrokes. Students will also learn to simplify complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the cottages and mountains, paying attention to their relative sizes and positions.

  2. step 02

    Establish the overall value structure by blocking in the darks and lights with thin washes of color.

  3. step 03

    Begin adding details to the mountains, using short, broken brushstrokes to create texture and suggest the form.

  4. step 04

    Develop the cottages, focusing on the planes of the roofs and walls, and the direction of light.

  5. step 05

    Add details to the foreground, such as the path and any vegetation, using a variety of brushstrokes to create interest.

  6. step 06

    Refine the sky, blending the colors to create a sense of atmosphere.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · yellow ochre · ivory black

Mix burnt umber and ultramarine blue for the darker tones in the mountains and shadows. Use raw sienna and white for the lighter areas of the cottages and path. Add a touch of yellow ochre to warm up the highlights.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color
  • ·layering

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Failing to establish a strong value structure early on.
  • →Using colors that are too saturated and unnatural.
  • →Ignoring the direction of light and creating flat, lifeless forms.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes size 2, 4, 6
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider toning the canvas with a thin wash of burnt umber before starting.

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oil painting for beginners →how to learn by studying the masters →
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