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home·artworks·Corn Stooks
Corn Stooks by Joseph Farquharson

plate no. 6131

Corn Stooks

Joseph Farquharson, 1880

oilRealismlandscapetreesfieldhaystackslandscapeautumnfoliage
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and in capturing the subtle variations of light and shadow in a landscape. Students will also learn to simplify complex forms into basic shapes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 7 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, field, and horizon line.

  2. step 02

    Block in the main areas of color: sky, distant hills, field, and trees.

  3. step 03

    Establish the light and shadow patterns on the haystacks and in the foreground foliage.

  4. step 04

    Begin layering colors to create depth and texture in the trees and field.

  5. step 05

    Add details to the haystacks, varying their shapes and sizes.

  6. step 06

    Refine the foreground foliage, adding highlights and shadows to create a sense of depth.

  7. step 07

    Adjust the overall color balance and value contrast to create a harmonious composition.

color palette

primary · yellow ochre · burnt umber · sap green · titanium white

secondary · cadmium yellow · ultramarine blue · cadmium red

Mix various shades of green and brown by combining yellow ochre, burnt umber, sap green, and white. Use ultramarine blue and burnt umber to create darker tones for shadows. Add small amounts of cadmium red to warm up the browns and greens.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details in the foreground, which can flatten the image.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Using colors that are too saturated, which can make the painting look unnatural.
  • →Not varying the shapes and sizes of the haystacks, which can make the field look monotonous.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a canvas with a medium texture to help create a sense of depth and texture in the painting. If using oil paints, be sure to work in a well-ventilated area.

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oil painting for beginners →how to learn by studying the masters →
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