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home·artworks·Contemplation
Contemplation by Alexei Harlamoff

plate no. 8201

Contemplation

Alexei Harlamoff

oilRealismportraitportraitfiguregirlbookclothinghair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practicing loose brushwork and layering techniques to create depth and texture.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions and placement of the figure and book.

  2. step 02

    Establish the background with broad, loose strokes of muted colors.

  3. step 03

    Block in the main shapes of the figure, paying attention to the overall values and color temperatures.

  4. step 04

    Begin refining the facial features, focusing on accurate proportions and subtle value changes.

  5. step 05

    Develop the hair with layers of warm and cool tones, using varied brushstrokes to create texture.

  6. step 06

    Paint the clothing, capturing the folds and patterns with careful observation.

  7. step 07

    Add details to the book and chair, paying attention to their textures and colors.

  8. step 08

    Make final adjustments to values, colors, and details to achieve a cohesive and realistic effect.

color palette

primary · titanium white · burnt umber · cadmium red · yellow ochre

secondary · ultramarine blue · ivory black

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Use blue and umber to create cooler shadows. Mix red and yellow ochre for the clothing, adding white for highlights and umber for shadows.

techniques

  • ·portraiture
  • ·alla prima
  • ·blending
  • ·layering
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish accurate proportions in the initial sketch.
  • →Using colors that are too saturated or unrealistic.
  • →Ignoring the subtle value changes that create form and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (titanium white, burnt umber, cadmium red, yellow ochre, ultramarine blue, ivory black)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

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oil painting for beginners →how to learn by studying the masters →
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