apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Co-ee-há-jo, a Seminole Chief
Co-ee-há-jo, a Seminole Chief by George Catlin

plate no. 6118

Co-ee-há-jo, a Seminole Chief

George Catlin, 1837

oilRealismportraitportraitfigurenative americanchiefweaponheadwear
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in painting fabric and details like the headdress and gun.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure on the canvas.

  2. step 02

    Establish the background with a thin wash of warm yellow and brown tones.

  3. step 03

    Block in the main shapes of the face, clothing, and headdress with corresponding colors.

  4. step 04

    Begin refining the skin tones, paying attention to highlights and shadows.

  5. step 05

    Add details to the headdress, including the feathers and patterned fabric.

  6. step 06

    Paint the clothing, focusing on the folds and drapery.

  7. step 07

    Render the gun, capturing its shape and texture.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Mix skin tones using burnt umber, raw sienna, and titanium white, adjusting the ratios for highlights and shadows. Use ultramarine blue and burnt umber to create darker shades for clothing and hair.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Ignoring the underlying structure of the face and figure.
  • →Getting lost in details before establishing the overall composition.
  • →Using too much paint, obscuring the brushwork.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy