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home·artworks·Church of Saint Lou d'Esserant in the Oise
Church of Saint Lou d'Esserant in the Oise by Theodore Rousseau

plate no. 9228

Church of Saint Lou d'Esserant in the Oise

Theodore Rousseau

oilRealismcityscapebuildingschurchskylandscapetowersvegetation
some experience helpful

Recreating this painting will help students develop skills in loose brushwork and creating atmospheric perspective with color and value. It also encourages simplification of complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and the horizon line.

  2. step 02

    Block in the sky with a thin wash of blue and white, allowing for variations in tone.

  3. step 03

    Establish the main light and shadow areas on the buildings with a light ochre or yellow.

  4. step 04

    Add darker tones to the roofs and shadowed areas using burnt umber and a touch of red.

  5. step 05

    Use broken brushstrokes to create the texture of the vegetation in the foreground.

  6. step 06

    Introduce hints of green and blue into the foreground to suggest depth.

  7. step 07

    Refine the details of the buildings, focusing on capturing the overall impression rather than precise accuracy.

  8. step 08

    Add final highlights to the buildings and foreground to create a sense of light.

color palette

primary · ultramarine blue · yellow ochre · titanium white

secondary · burnt umber · cadmium red

Mix various shades of blue for the sky by adding white and a touch of yellow ochre. Create warm grays for the buildings by mixing yellow ochre, burnt umber, and white. Use burnt umber and red for the darker areas of the roofs.

techniques

  • ·dry brush
  • ·scumbling
  • ·broken color
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating overly harsh or defined lines.
  • →Failing to establish a clear light source.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 4, 6, 8)
  • ·flat brush (size 10)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

A slightly textured canvas will enhance the effect of the dry brush technique.

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oil painting for beginners →how to learn by studying the masters →
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