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home·artworks·Charles I of England and Henrietta of France
Charles I of England and Henrietta of France by Anthony van Dyck

plate no. 5342

Charles I of England and Henrietta of France

Anthony van Dyck, 1632

oil, canvasBaroqueportraitportraitfigureslaceclothingarchitecturehistorical
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as rendering delicate textures like lace and skin tones.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the two figures and the architectural element, paying attention to the oval frames.

  2. step 02

    Establish the dark background tones using a thin wash of dark brown or black.

  3. step 03

    Block in the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  4. step 04

    Begin rendering the clothing, focusing on the larger shapes and folds before adding details.

  5. step 05

    Carefully paint the lace details, using a fine brush and light, delicate strokes.

  6. step 06

    Add details to the faces, including the eyes, nose, and mouth, paying attention to the subtle variations in tone and color.

  7. step 07

    Refine the architectural element, adding highlights and shadows to create depth and dimension.

  8. step 08

    Add final details and adjust values as needed to create a cohesive and balanced composition.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · ultramarine blue · yellow ochre · burnt sienna

Mix skin tones by blending white, red, yellow ochre, and a touch of umber. Use ultramarine blue and white to create the blue sash. Mix black and umber for the dark clothing.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering lace

common pitfalls

  • →Inaccurate proportions of the figures
  • →Overworking the details of the lace
  • →Failing to capture the likeness of the subjects
  • →Uneven skin tones

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will make it easier to render the fine details.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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