
plate no. 5342
Anthony van Dyck, 1632
Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as rendering delicate textures like lace and skin tones.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the two figures and the architectural element, paying attention to the oval frames.
Establish the dark background tones using a thin wash of dark brown or black.
Block in the skin tones, starting with mid-tones and gradually adding highlights and shadows.
Begin rendering the clothing, focusing on the larger shapes and folds before adding details.
Carefully paint the lace details, using a fine brush and light, delicate strokes.
Add details to the faces, including the eyes, nose, and mouth, paying attention to the subtle variations in tone and color.
Refine the architectural element, adding highlights and shadows to create depth and dimension.
Add final details and adjust values as needed to create a cohesive and balanced composition.
color palette
primary · ivory black · raw umber · titanium white · cadmium red light
secondary · ultramarine blue · yellow ochre · burnt sienna
Mix skin tones by blending white, red, yellow ochre, and a touch of umber. Use ultramarine blue and white to create the blue sash. Mix black and umber for the dark clothing.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A smooth canvas surface will make it easier to render the fine details.
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