apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Buddhist lama in a monastery on a holiday Pemionchi. Sikkim
Buddhist lama in a monastery on a holiday Pemionchi. Sikkim by Vasily Vereshchagin

plate no. 8547

Buddhist lama in a monastery on a holiday Pemionchi. Sikkim

Vasily Vereshchagin, 1875

oilRealismportraitfiguremaskcostumeportraitreligiousindoors
some experience helpful

Recreating this painting will help students develop skills in rendering complex patterns and textures, as well as capturing subtle variations in light and shadow to create depth and form. It also provides practice in depicting a figure with intricate details in a dimly lit environment.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and proportions of the figure and background.

  2. step 02

    Block in the main areas of color, focusing on the large shapes and values.

  3. step 03

    Develop the background, paying attention to the subtle shifts in tone and texture.

  4. step 04

    Start refining the details of the costume, working from general shapes to specific patterns.

  5. step 05

    Focus on the mask, carefully rendering its intricate details and textures.

  6. step 06

    Add highlights and shadows to create depth and dimension in the figure and costume.

  7. step 07

    Refine the edges and details, paying attention to the overall harmony of the painting.

  8. step 08

    Add final touches and glazes to enhance the colors and create a sense of atmosphere.

color palette

primary · ochre · burnt umber · ivory black · cadmium red

secondary · ultramarine blue · yellow ochre · titanium white

Mix various shades of brown and gray by combining burnt umber, ivory black, and white. Use ochre and cadmium red to create the warm tones of the costume. Mix ultramarine blue with white to create the cooler tones.

techniques

  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·chiaroscuro
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle shifts in color and tone.
  • →Losing the overall sense of atmosphere and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy