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home·artworks·Beach near Scheveningen with Fish Sellers
Beach near Scheveningen with Fish Sellers by Simon de Vlieger

plate no. 4284

Beach near Scheveningen with Fish Sellers

Simon de Vlieger, 1643

oil, canvasBaroquemarinabeachfigurescloudsskyseadunes
some experience helpful

This painting offers practice in rendering atmospheric perspective and creating a sense of depth through subtle value and color shifts. Recreating the cloud formations will develop skills in blending and soft brushwork.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the horizon line and major compositional elements (dunes, figures, boats).

  2. step 02

    Establish the basic value structure with a thin wash of burnt umber or raw sienna.

  3. step 03

    Block in the sky with broad strokes, focusing on the light and dark areas of the clouds.

  4. step 04

    Begin layering colors in the sky, blending edges to create soft transitions.

  5. step 05

    Develop the dunes with earth tones, adding texture with dry brush techniques.

  6. step 06

    Paint the figures and boats, paying attention to their relative size and placement.

  7. step 07

    Add details to the foreground figures and objects.

  8. step 08

    Refine the overall painting, adjusting values and colors as needed.

color palette

primary · titanium white · raw umber · burnt umber · yellow ochre

secondary · Prussian blue · ivory black

Mix muted blues and grays for the sky by combining white, blue, and umber. Achieve the warm tones of the dunes by mixing yellow ochre, burnt umber, and white. Use black sparingly to darken values.

techniques

  • ·atmospheric perspective
  • ·blending
  • ·dry brush
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the clouds, resulting in a muddy appearance.
  • →Failing to establish a strong value structure early on.
  • →Making the figures too detailed, drawing attention away from the overall scene.
  • →Ignoring atmospheric perspective, causing the background to appear too sharp.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·Prussian blue oil paint
  • ·round brushes
  • ·flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for optimal texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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