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home·artworks·Ball-play of the Choctaw--Ball Up
Ball-play of the Choctaw--Ball Up by George Catlin

plate no. 6939

Ball-play of the Choctaw--Ball Up

George Catlin, 1850

oilRealismgenre paintingfigureslandscapeskytreestipisgame
experienced study

Recreating this painting will help students develop skills in depicting figures in motion and creating depth through atmospheric perspective. It also provides practice in rendering complex scenes with many elements.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the horizon line, the shape of the hills, and the placement of the major groups of figures and tipis.

  2. step 02

    Block in the sky with a thin wash of blue, blending it towards the horizon.

  3. step 03

    Establish the basic colors of the landscape, using a mix of greens and browns, and indicate the areas of light and shadow.

  4. step 04

    Start adding the tipis, paying attention to their perspective and spacing.

  5. step 05

    Begin to paint the figures, starting with the larger, more detailed figures in the foreground and gradually simplifying the details as they recede into the distance.

  6. step 06

    Use small brushstrokes to suggest the movement and energy of the figures.

  7. step 07

    Add details such as the poles, clothing, and facial features.

  8. step 08

    Refine the colors and values, adding highlights and shadows to create depth and dimension.

color palette

primary · cerulean blue · yellow ochre · burnt sienna · titanium white

secondary · raw umber · sap green · cadmium red light

Mix greens by combining yellow ochre and cerulean blue. Achieve skin tones by blending burnt sienna, yellow ochre, and white. Use raw umber to create shadows and darker tones.

techniques

  • ·atmospheric perspective
  • ·figure drawing
  • ·scumbling
  • ·dry brushing
  • ·layering

common pitfalls

  • →Getting bogged down in details too early.
  • →Failing to create a sense of depth.
  • →Making the figures look stiff or unnatural.
  • →Not simplifying the details of the figures in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

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oil painting for beginners →how to learn by studying the masters →
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