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home·artworks·Baker Oostwaert and his wife
Baker Oostwaert and his wife by Jan Steen

plate no. 4881

Baker Oostwaert and his wife

Jan Steen, 1658

oil, panelBaroqueportraitfiguresbreadinteriorwindowstill lifebrick wall
experienced study

Recreating this painting will help students develop skills in portraiture, rendering textures of various objects, and understanding complex compositions with multiple focal points. It is a good exercise for learning about light and shadow in a dimly lit environment.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and objects.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Focus on the background elements first, establishing the brick wall and window.

  4. step 04

    Develop the figures, paying attention to accurate proportions and facial features.

  5. step 05

    Layer in details and textures, such as the bread crusts and fabric folds.

  6. step 06

    Refine the lighting and shadows to create depth and dimension.

  7. step 07

    Add highlights to emphasize the forms and create a sense of realism.

  8. step 08

    Make final adjustments to color and value to achieve a cohesive and harmonious result.

color palette

primary · burnt umber · yellow ochre · titanium white · ivory black

secondary · cadmium yellow · raw sienna · ultramarine blue

Achieve the warm, muted tones by mixing burnt umber and yellow ochre with varying amounts of white. Use small amounts of blue to cool down the browns and create shadows. Mix the bread colors using ochre, sienna, and umber.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·rendering textures

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Failing to accurately capture the proportions and likenesses of the figures.
  • →Overworking the painting and losing the freshness of the initial layers.
  • →Not paying enough attention to the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, yellow ochre, titanium white, ivory black, cadmium yellow, raw sienna, ultramarine blue)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·damar varnish
  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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