apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Autumn Gold
Autumn Gold by Joseph Farquharson

plate no. 3962

Autumn Gold

Joseph Farquharson

oilRealismlandscapetreesforestautumnleavespheasantslandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and in depicting the effects of light filtering through foliage. It's a good exercise in capturing the mood of a season.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and the horizon line.

  2. step 02

    Establish the overall color scheme with a thin wash of burnt sienna and yellow ochre.

  3. step 03

    Block in the dark areas of the forest in the background using a mix of dark greens and browns.

  4. step 04

    Begin layering the colors of the leaves, using a variety of yellows, oranges, and reds.

  5. step 05

    Add details to the tree trunks, paying attention to the texture of the bark.

  6. step 06

    Paint the ground cover with a mix of browns, yellows, and greens, suggesting fallen leaves.

  7. step 07

    Add the pheasants, paying attention to their anatomy and coloration.

  8. step 08

    Refine the details and add highlights to create a sense of depth and dimension.

color palette

primary · yellow ochre · burnt sienna · raw umber

secondary · cadmium yellow · cadmium orange · viridian green

Achieve the warm autumn colors by mixing yellows, oranges, and reds with burnt sienna and raw umber. Use viridian green to create the darker greens in the background.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Using colors straight from the tube without mixing them.
  • →Failing to create a sense of depth and distance.
  • →Ignoring the effects of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy