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home·artworks·Autumn
Autumn by Pasquale Celommi

plate no. 6179

Autumn

Pasquale Celommi

oil, canvasRealismgenre paintingfigureslandscapepathtreesfoliagehills
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering figures within a landscape. It also provides practice in creating texture and detail in foliage and ground cover.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 7 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the horizon line.

  2. step 02

    Establish the overall color scheme by blocking in large areas of color for the sky, hills, and ground.

  3. step 03

    Begin to define the shapes of the trees and foliage, paying attention to the variations in color and value.

  4. step 04

    Add details to the figures, including their clothing and facial features.

  5. step 05

    Refine the details in the foreground, such as the grass and flowers.

  6. step 06

    Adjust the values and colors throughout the painting to create a sense of depth and atmosphere.

  7. step 07

    Add final highlights and details to enhance the realism of the scene.

color palette

primary · yellow ochre · burnt umber · titanium white · ultramarine blue

secondary · cadmium red · viridian green · raw sienna

Mix various shades of green by combining ultramarine blue, yellow ochre, and viridian green. Use burnt umber and yellow ochre to create the warm tones of the ground and foliage. Add titanium white to lighten colors and create highlights.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·layering
  • ·blending
  • ·rendering figures

common pitfalls

  • →Overworking the details in the background, which can flatten the sense of depth.
  • →Using colors that are too saturated, which can make the painting look unnatural.
  • →Neglecting to create a clear focal point, which can make the composition feel disorganized.
  • →Not paying attention to the proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, burnt umber, titanium white, ultramarine blue, cadmium red, viridian green, raw sienna)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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