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home·artworks·Arrival of Christina of Sweden in Brussel
Arrival of Christina of Sweden in Brussel by David Teniers the Younger

plate no. 5393

Arrival of Christina of Sweden in Brussel

David Teniers the Younger

oilBaroquehistory paintingcityscapecastlefiguresskycloudsprocession
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex scenes with many figures. It also provides practice in capturing the nuances of light and shadow in a cloudy sky.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition, focusing on the placement of the castle, cityscape, and horizon line.

  2. step 02

    Block in the sky with broad strokes, capturing the overall cloud formations and variations in tone.

  3. step 03

    Establish the basic shapes and values of the castle and cityscape, paying attention to perspective.

  4. step 04

    Add the middle ground, including the trees and the procession of figures, simplifying the forms at first.

  5. step 05

    Begin to refine the details of the figures in the foreground, adding more definition and color variations.

  6. step 06

    Work on the details of the castle and cityscape, adding highlights and shadows to create depth.

  7. step 07

    Refine the sky, adding more subtle variations in color and tone to create a sense of atmosphere.

  8. step 08

    Add final details and highlights throughout the painting to bring it to life.

color palette

primary · ultramarine blue · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium red light · ivory black

Achieve the sky colors by mixing ultramarine blue and titanium white, with small amounts of raw umber to create variations in tone. Mix raw umber and yellow ochre for the earth tones, adding burnt sienna for warmth and ivory black for shadows.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering figures
  • ·cloud painting

common pitfalls

  • →Getting bogged down in too much detail too early in the process.
  • →Failing to establish a strong sense of perspective.
  • →Overworking the sky and losing the sense of atmosphere.
  • →Not simplifying the forms of the figures in the distance.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall color harmony.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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