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home·artworks·Antoine Paul Nicolaas Franchimont
Antoine Paul Nicolaas Franchimont by Thérèse Schwartze

plate no. 2412

Antoine Paul Nicolaas Franchimont

Thérèse Schwartze, 1899

oilRealismportraitportraitfiguremanclothingbeardglasses
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions, rendering skin tones, and capturing likeness. It also provides practice in depicting textures and fabrics with visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure on the canvas.

  2. step 02

    Establish the background with a thin wash of muted green and brown tones.

  3. step 03

    Block in the main shapes of the face, hair, and clothing with corresponding values.

  4. step 04

    Begin refining the facial features, paying close attention to the light and shadow.

  5. step 05

    Develop the beard and hair, using short, broken brushstrokes to create texture.

  6. step 06

    Work on the clothing, building up layers of dark paint to create depth and form.

  7. step 07

    Add details such as the glasses, bow tie, and any other accessories.

  8. step 08

    Refine the overall composition, adjusting values and adding highlights where needed.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · alizarin crimson · yellow ochre

Mix skin tones by blending white, sienna, umber, and a touch of crimson. Achieve dark blacks by mixing ivory black with burnt umber. Muted greens for the background are created by mixing umber, sienna, and a touch of black.

techniques

  • ·portraiture
  • ·value studies
  • ·alla prima
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the face
  • →Overblending skin tones
  • →Failing to capture the likeness of the subject
  • →Ignoring subtle value changes

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use a medium-grit canvas for better paint adhesion. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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