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home·artworks·Anna Trajectina Van Brederode
Anna Trajectina Van Brederode by Gerard van Honthorst

plate no. 4161

Anna Trajectina Van Brederode

Gerard van Honthorst, 1656

oilBaroqueportraitportraitwomanpearl necklacedresshairfur
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations, as well as rendering fabrics and textures like fur and pearls.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic oval shape and the position of the figure within it.

  2. step 02

    Lightly sketch the main features: head, shoulders, and the placement of the dress and fur.

  3. step 03

    Block in the main color areas: skin tones, hair, background, dress, and fur.

  4. step 04

    Begin refining the skin tones, paying attention to highlights and shadows.

  5. step 05

    Develop the details of the hair, creating the curls and adding highlights.

  6. step 06

    Work on the dress, rendering the folds and textures of the fabric.

  7. step 07

    Add the details of the pearl necklace and the red ribbon.

  8. step 08

    Refine the background and add any final details.

color palette

primary · ivory · black · red · yellow ochre

secondary · burnt umber · raw sienna · titanium white · cadmium red

Skin tones are achieved by mixing ivory, white, a touch of red, and a hint of yellow ochre. Darker tones are created by adding burnt umber. The red fabric is a mix of cadmium red and burnt umber for shadows.

techniques

  • ·blending
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and losing the subtle variations.
  • →Making the hair look flat and lifeless.
  • →Failing to capture the texture of the fur.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (ivory, black, red, yellow ochre, burnt umber, raw sienna, titanium white)
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 4, 6)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will aid in blending.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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