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home·artworks·And the Sun Peeped O'er Yon Southland Hills
And the Sun Peeped O'er Yon Southland Hills by Joseph Farquharson

plate no. 1618

And the Sun Peeped O'er Yon Southland Hills

Joseph Farquharson

oilRealismlandscapelandscapesnowhillssheeptreessky
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations in snow and atmospheric perspective to create depth. It will also help with rendering soft light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the hills and the placement of the sheep and trees.

  2. step 02

    Establish the horizon line and the position of the sun.

  3. step 03

    Apply a thin wash of light pink and yellow to the sky area.

  4. step 04

    Block in the large areas of snow with varying shades of white, pink, and blue.

  5. step 05

    Add darker values to the shadows on the hills and around the trees.

  6. step 06

    Paint the sheep, paying attention to their form and the cast shadows.

  7. step 07

    Add details to the trees and bushes, using dry brush techniques for texture.

  8. step 08

    Refine the highlights and shadows throughout the painting to create a sense of depth and realism.

color palette

primary · titanium white · yellow ochre · alizarin crimson

secondary · ultramarine blue · burnt umber

Mix white with small amounts of yellow ochre and alizarin crimson to create the warm tones in the snow. Use ultramarine blue and burnt umber to create the darker tones in the trees and shadows. Mix pinks and purples for the snow shadows.

techniques

  • ·color mixing
  • ·atmospheric perspective
  • ·dry brushing
  • ·soft blending
  • ·layering

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Using too much white, which can flatten the painting.
  • →Ignoring the subtle color variations in the snow.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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related guides

oil painting for beginners →how to learn by studying the masters →
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