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home·artworks·Actor Alexander Lensky Pavlovich as Petruchio inShakespeare's "Taming of the Shrew "
Actor Alexander Lensky Pavlovich as Petruchio inShakespeare's "Taming of the Shrew " by Ivan Kramskoy

plate no. 8370

Actor Alexander Lensky Pavlovich as Petruchio inShakespeare's "Taming of the Shrew "

Ivan Kramskoy, 1883

oil, canvasRealismportraitportraitfiguremanclothingjewelryactor
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, capturing likeness, and rendering skin tones and textures. It also provides practice in depicting complex details like jewelry and fabric folds.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure on the canvas.

  2. step 02

    Establish the main light and shadow areas with thin washes of color.

  3. step 03

    Begin building up the skin tones, focusing on accurate color mixing and subtle value changes.

  4. step 04

    Define the features of the face, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Work on the clothing, rendering the folds and textures of the fabric.

  6. step 06

    Add the details of the jewelry, using small brushes and precise strokes.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · burnt sienna · titanium white · ivory black

secondary · cadmium yellow · alizarin crimson · viridian

Skin tones are achieved by mixing burnt sienna, raw umber, and titanium white, with small amounts of alizarin crimson for warmth. The dark clothing is created by mixing ivory black and raw umber. The green fabric is a mix of viridian, cadmium yellow and white.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·alla prima

common pitfalls

  • →Incorrect proportions of the face and body.
  • →Overblending of skin tones, resulting in a flat appearance.
  • →Inaccurate color mixing, leading to unnatural skin tones.
  • →Neglecting the subtle value changes in the shadows and highlights.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (raw umber, burnt sienna, titanium white, ivory black, cadmium yellow, alizarin crimson, viridian)
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Pre-toned canvas with a thin wash of burnt umber can be helpful.

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related guides

oil painting for beginners →how to learn by studying the masters →
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