apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Abruzzo wedding
Abruzzo wedding by Pasquale Celommi

plate no. 3373

Abruzzo wedding

Pasquale Celommi

oil, canvasRealismgenre paintingfiguresweddingbuildingmusiclandscapecelebration
experienced study

Recreating this painting will help students develop skills in figure drawing, composition with multiple subjects, and creating depth through atmospheric perspective. It also provides practice in rendering textures of clothing and architectural details.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on the placement of the main figures and the building.

  2. step 02

    Block in the main color areas for the sky, background trees, building, and ground.

  3. step 03

    Start adding details to the figures, focusing on proportions and basic shapes.

  4. step 04

    Begin layering colors to define the clothing and facial features of the figures.

  5. step 05

    Develop the architectural details of the building, paying attention to light and shadow.

  6. step 06

    Refine the background landscape, using lighter values to create atmospheric perspective.

  7. step 07

    Add highlights and shadows to create depth and dimension throughout the painting.

  8. step 08

    Add final details, such as textures and small accents, to complete the artwork.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · cadmium red · raw sienna · ivory black

Achieve the sky color by mixing ultramarine blue with titanium white, adding a touch of burnt umber for a slightly muted tone. Mix various browns and grays for the building using burnt umber, yellow ochre, and ivory black. Use cadmium red sparingly for accents in clothing.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·color mixing

common pitfalls

  • →Incorrect proportions in figures.
  • →Overly saturated colors.
  • →Lack of depth in the background.
  • →Ignoring the light source and shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x36 inches)
  • ·oil paints (ultramarine blue, burnt umber, yellow ochre, titanium white, cadmium red, raw sienna, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use a medium-grain canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy