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home·artworks·A waterfall in Thiers
A waterfall in Thiers by Theodore Rousseau

plate no. 0185

A waterfall in Thiers

Theodore Rousseau, 1830

oilRealismlandscapewaterfallbuildingstreeslandscaperiverrocks
some experience helpful

Recreating this painting will help students develop skills in capturing dynamic movement of water and creating depth through atmospheric perspective and loose brushwork. It also provides practice in rendering architectural forms within a natural setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, waterfall, and surrounding landscape.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber, paying attention to the light and shadow patterns.

  3. step 03

    Block in the main color masses for the buildings, foliage, and rocks using a limited palette.

  4. step 04

    Begin to define the waterfall by layering white and blue tones, capturing the movement and texture of the water.

  5. step 05

    Add details to the buildings, such as windows and rooflines, using small, precise brushstrokes.

  6. step 06

    Refine the foliage and rocks, adding highlights and shadows to create depth and dimension.

  7. step 07

    Adjust the overall color balance and value contrast to enhance the atmospheric perspective.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · titanium white · ultramarine blue · yellow ochre

secondary · cadmium red · viridian green

Achieve the various earth tones by mixing burnt umber with white, yellow ochre, and a touch of red. Create the water colors by mixing ultramarine blue with white and a hint of green.

techniques

  • ·dry brush texture
  • ·wet-on-wet blending
  • ·scumbling
  • ·layering
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Failing to capture the movement and energy of the waterfall.
  • →Creating muddy colors by overmixing.
  • →Ignoring the atmospheric perspective and flattening the composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grit canvas to allow for good paint adhesion and texture. Consider using a fast-drying medium to speed up the drying time.

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