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home·artworks·A Smoker Leaning on a Table
A Smoker Leaning on a Table by David Teniers the Younger

plate no. 9616

A Smoker Leaning on a Table

David Teniers the Younger, 1643

oil, canvasBaroquegenre paintingfigureinteriortablepipetavernpeople
some experience helpful

Recreating this painting will help students develop skills in rendering realistic figures in a dimly lit interior and capturing the textures of various materials like wood and fabric. Students will also learn to create depth through atmospheric perspective and subtle value shifts.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the main figure and the table.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main colors of the figure's clothing, the table, and the background elements.

  4. step 04

    Begin refining the details of the figure's face and hands, paying attention to the subtle shifts in light and shadow.

  5. step 05

    Develop the textures of the clothing and the wooden surfaces using dry brush techniques and subtle glazing.

  6. step 06

    Add details to the background figures and objects, softening the edges to create atmospheric perspective.

  7. step 07

    Glaze with thin layers of color to unify the painting and enhance the depth.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · raw umber · burnt umber · yellow ochre · ivory black

secondary · raw sienna · titanium white · cadmium red light

Achieve the muted tones by mixing earth colors with small amounts of black and white. Use thin glazes of raw sienna and burnt umber to create depth and warmth.

techniques

  • ·underpainting
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking details too early
  • →Using colors that are too saturated
  • →Failing to establish a strong value structure
  • →Ignoring atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#2 round brush
  • ·#6 flat brush
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a canvas with a smooth texture for easier blending. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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