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home·artworks·A Portrait of a Little Girl
A Portrait of a Little Girl by Thérèse Schwartze

plate no. 4677

A Portrait of a Little Girl

Thérèse Schwartze, 1893

oilRealismportraitportraitgirlhairdressfaceflower
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering soft, diffused lighting. It also provides practice in creating realistic textures, particularly in the hair and clothing.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the girl's head, shoulders, and hair.

  2. step 02

    Establish the background with broad, blended strokes of warm browns and yellows.

  3. step 03

    Block in the main skin tones, paying attention to subtle variations in color temperature.

  4. step 04

    Begin building up the hair, using layers of light and dark yellows and browns to create volume and texture.

  5. step 05

    Define the features of the face, focusing on accurate placement and subtle shading.

  6. step 06

    Render the dress with soft, blended whites and grays, suggesting the folds and ruffles.

  7. step 07

    Add the pink flower in the hair, using delicate strokes to capture its form and texture.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and realism.

color palette

primary · titanium white · yellow ochre · burnt umber · raw sienna

secondary · cadmium red light · ultramarine blue · ivory black

Skin tones are achieved by mixing white, yellow ochre, and a touch of red and blue. Hair is created with layers of yellow ochre, raw sienna, and burnt umber. The background is a blend of warm browns and yellows, lightened with white.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·soft edges
  • ·portraiture

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the subtle variations in color and value in the hair.
  • →Creating harsh lines or edges that detract from the overall softness of the painting.
  • →Inaccurate proportions in the face, leading to a distorted likeness.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·soft pastels

Using a toned canvas can help establish the warm undertones of the painting. Consider using soft pastels for the initial sketch.

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oil painting for beginners →how to learn by studying the masters →
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