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home·artworks·A Laughing Bravo with a Bass Viol and a Glass
A Laughing Bravo with a Bass Viol and a Glass by Hendrick Terbrugghen

plate no. 6713

A Laughing Bravo with a Bass Viol and a Glass

Hendrick Terbrugghen, 1625

oilBaroquegenre paintingfigureinstrumentglassclothinghatfeather
some experience helpful

Recreating this painting will help students develop skills in portraiture, rendering fabrics and textures, and understanding chiaroscuro. It also provides practice in capturing a dynamic pose and facial expression.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the figure, instrument, and glass, paying attention to proportions.

  2. step 02

    Establish the background with a thin wash of neutral color.

  3. step 03

    Block in the main shapes and values of the figure and instrument using a limited palette.

  4. step 04

    Develop the light and shadow areas, focusing on the chiaroscuro effect.

  5. step 05

    Refine the details of the face, clothing, and instrument, adding highlights and subtle color variations.

  6. step 06

    Paint the glass and the liquid inside, paying attention to reflections and transparency.

  7. step 07

    Add final touches and glazes to unify the painting and enhance the depth.

  8. step 08

    Varnish the painting after it is completely dry.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ivory black · cadmium yellow light · alizarin crimson

Achieve the warm, earthy tones by mixing burnt umber and raw sienna with varying amounts of white. Use ivory black sparingly to create shadows. Mix alizarin crimson with burnt umber for richer darks.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Inaccurate proportions in the figure
  • →Muddying the colors by overmixing

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, raw sienna, titanium white, ivory black)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·mahl stick

Use a canvas with a smooth surface for easier blending. Consider using a toned ground to help establish the overall color harmony.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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