
plate no. 6713
Hendrick Terbrugghen, 1625
Recreating this painting will help students develop skills in portraiture, rendering fabrics and textures, and understanding chiaroscuro. It also provides practice in capturing a dynamic pose and facial expression.
technical profile
approach — 8 steps
Begin with a light sketch outlining the figure, instrument, and glass, paying attention to proportions.
Establish the background with a thin wash of neutral color.
Block in the main shapes and values of the figure and instrument using a limited palette.
Develop the light and shadow areas, focusing on the chiaroscuro effect.
Refine the details of the face, clothing, and instrument, adding highlights and subtle color variations.
Paint the glass and the liquid inside, paying attention to reflections and transparency.
Add final touches and glazes to unify the painting and enhance the depth.
Varnish the painting after it is completely dry.
color palette
primary · burnt umber · raw sienna · titanium white
secondary · ivory black · cadmium yellow light · alizarin crimson
Achieve the warm, earthy tones by mixing burnt umber and raw sienna with varying amounts of white. Use ivory black sparingly to create shadows. Mix alizarin crimson with burnt umber for richer darks.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a smooth surface for easier blending. Consider using a toned ground to help establish the overall color harmony.
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