apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Hilly Landscape in Auvergne
A Hilly Landscape in Auvergne by Theodore Rousseau

plate no. 4853

A Hilly Landscape in Auvergne

Theodore Rousseau, 1831

oil, canvasRealismlandscapemountainslandscapecloudsbuildingsgrasssky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. Students will also practice rendering textures like grass, stone, and foliage with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, buildings, and horizon line.

  2. step 02

    Establish the sky with light blue and white, blending softly for a hazy effect.

  3. step 03

    Block in the mountain masses with dark greens and browns, varying the values to suggest form.

  4. step 04

    Add details to the mountains, such as trees and rocky outcroppings, using smaller brushes.

  5. step 05

    Paint the grassy fields with a mix of greens and yellows, using broken brushstrokes to create texture.

  6. step 06

    Render the buildings with light grays and browns, paying attention to the light and shadow.

  7. step 07

    Add the fence in the foreground, using dark browns and grays.

  8. step 08

    Refine details and add highlights to complete the painting.

color palette

primary · Prussian blue · Yellow ochre · Burnt umber · Titanium white

secondary · Sap green · Raw sienna

Mix greens by combining Prussian blue and yellow ochre. Create earth tones by mixing burnt umber with yellow ochre and white. Achieve atmospheric perspective by lightening and desaturating colors as they recede into the distance.

techniques

  • ·Layering
  • ·Dry brushing
  • ·Scumbling
  • ·Atmospheric perspective
  • ·Broken color

common pitfalls

  • →Overworking the details
  • →Creating too much contrast
  • →Ignoring atmospheric perspective
  • →Using colors that are too saturated

materials

surface · Stretched canvas

required

  • ·Stretched canvas 12x16
  • ·Oil paints
  • ·#2 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits

optional

  • ·Palette knife
  • ·Retouch varnish
  • ·Easel

Use a medium-tooth canvas for better texture. Consider using a limited palette to achieve color harmony.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy