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home·artworks·A Boor Asleep
A Boor Asleep by Adriaen Brouwer

plate no. 3119

A Boor Asleep

Adriaen Brouwer, 1638

oil, woodBaroquegenre paintingfigureinteriorwoodtableclothingjar
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a relaxed pose and capturing the nuances of light and shadow within an interior scene. It also provides practice in creating a sense of depth and atmosphere using a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and figures, paying attention to proportions and perspective.

  2. step 02

    Establish the overall value structure by blocking in the dark areas first with thin washes.

  3. step 03

    Gradually build up the mid-tones and highlights, layering paint to create depth and form.

  4. step 04

    Focus on accurately rendering the skin tones and clothing folds of the sleeping figure.

  5. step 05

    Add details to the background elements, such as the wooden wall and table, using dry brush techniques.

  6. step 06

    Refine the edges and contours of the figures to create a sense of realism.

  7. step 07

    Pay attention to the subtle color variations in the shadows and highlights.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ivory black · cadmium red light

Mix burnt umber and raw sienna to create the warm browns of the wood and clothing. Add titanium white to lighten these colors and create highlights. Use ivory black sparingly to darken shadows. Mix cadmium red light with white to create the red for the hat.

techniques

  • ·underpainting
  • ·glazing
  • ·dry brush
  • ·chiaroscuro
  • ·scumbling

common pitfalls

  • →Overworking the painting and losing the loose, painterly quality.
  • →Failing to accurately capture the proportions of the figures.
  • →Using too much detail in the background, which can distract from the focal point.
  • →Not paying enough attention to the subtle color variations in the shadows and highlights.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a canvas with a smooth texture to facilitate blending. Consider using a medium to thin the oil paints and improve their flow.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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