
1862–1926 · Belgian · 31 artworks
artist bio
Théo van Rysselberghe was a Belgian painter, significant for his role in introducing Neo-Impressionism to Belgium. He was a founding member of Les XX, an avant-garde group that championed modern art, and his work evolved from Impressionism to a refined Pointillist style.
what you'll learn
Studying van Rysselberghe's work allows students to understand the transition from Impressionism to Pointillism and the scientific approach to color theory. Students can also learn about portraiture and landscape techniques within these movements.
related: Georges Seurat, Paul Signac, Henri-Edmond Cross

Maria Van Rysselberghe with Crossed Arms
1913

Margery
1899

Elizabeth van Rysselberghe in a Cane Chair
1916

Large Tree near the Sea
1919

Maria van Rysselberghe in Jersey
1907

Madame Von Bodenhausen with her daughter Luli
1910

Portrait of Helene and Michette Guinotte
1901

Pine by the Mediterranean Sea
1916

Portrait of Else Lampe Von Quita
1911

The Bay of St. Clair
1923

The Woman in White (Portrait of Madame Helene Keller)
1907

The Rocks
1908

Noon Landscape
1921

Holy Cross Church at Ixelles at Night
1886

The Garden of Felicien Rops at Essone
1910

White Peonies
1913

Rainbow over Veere
1906

Lady in White, Portrait of Mrs. Théo Van Rysselberghe

Young Girl with a Vase of Flowers

Portrait of Maria van Rysselberghe
1919

Emile Verhaeren Writing
1915

View of Meknes

Garden in summer
1924

Portrait of Jean Cepeinick
1881

Sunset
1916

Portrait of Laure Fle
1898

Garden with Villa and Fountain
1924

Still Life with Plums
1926

Portrait of Marguerite van Mons
1886

Portrait of a Young Girl in Red
1887

The Valley of the Sambre
1890