apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Else Lampe Von Quita
Portrait of Else Lampe Von Quita by Theo van Rysselberghe

plate no. 0296

Portrait of Else Lampe Von Quita

Theo van Rysselberghe, 1911

oilPost-Impressionismportraitportraitfiguredressbackground patterntablechair
experienced study

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating depth through layering and subtle value changes. It also provides practice in rendering complex patterns and textures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions and placement of the figure.

  2. step 02

    Block in the main color areas: skin, hair, dress, background, and furniture.

  3. step 03

    Begin layering the skin tones, paying attention to subtle shifts in color and value.

  4. step 04

    Develop the details of the dress, including the folds and textures.

  5. step 05

    Create the background pattern, focusing on the repetition and variation of the floral motifs.

  6. step 06

    Refine the details of the face, including the eyes, nose, and mouth.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the color and value to achieve a cohesive and harmonious painting.

color palette

primary · flesh tint · viridian · alizarin crimson · yellow ochre

secondary · ultramarine blue · burnt umber · cadmium orange

Mix skin tones using flesh tint, yellow ochre, alizarin crimson, and a touch of ultramarine blue. Achieve the dress colors by mixing viridian with ultramarine blue and burnt umber. The background requires a range of warm and cool tones created by mixing the primary and secondary colors.

techniques

  • ·portrait painting
  • ·color layering
  • ·broken color
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the subtle nuances of the facial expression.
  • →Creating a background pattern that is too uniform or distracting.
  • →Ignoring the importance of value contrast in creating depth and dimension.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov