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White Peonies by Theo van Rysselberghe

plate no. 3021

White Peonies

Theo van Rysselberghe, 1913

oil, canvasPost-Impressionismportraitflowersportraitwomantablevaseinterior
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations in white and green, as well as practice layering brushstrokes to create texture and depth.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the figure, table, vases, and flower arrangement.

  2. step 02

    Block in the background with light, muted colors, paying attention to the subtle variations in tone.

  3. step 03

    Establish the basic shapes and values of the table and vases, focusing on the reflected light.

  4. step 04

    Begin layering the greens of the foliage, using different shades to create depth and volume.

  5. step 05

    Start building up the white flowers, using a variety of whites and creams to capture the light and shadow.

  6. step 06

    Add details to the figure, focusing on the soft lighting and subtle color variations in the skin tones.

  7. step 07

    Refine the details of the flowers and foliage, adding highlights and shadows to create a sense of realism.

  8. step 08

    Add final touches and adjustments to the overall composition, ensuring a harmonious balance of color and tone.

color palette

primary · titanium white · viridian green · ultramarine blue

secondary · yellow ochre · burnt umber · alizarin crimson

Achieve the subtle variations in white by mixing titanium white with small amounts of yellow ochre, ultramarine blue, or alizarin crimson. Mix greens by combining viridian green with yellow ochre or ultramarine blue.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·color mixing
  • ·glazing

common pitfalls

  • →Overworking the flowers and losing the sense of freshness.
  • →Creating muddy colors by overmixing.
  • →Ignoring the subtle variations in color and value.
  • →Neglecting the importance of reflected light.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·viridian green oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·alizarin crimson oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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