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home·artworks·Large Tree near the Sea
Large Tree near the Sea by Theo van Rysselberghe

plate no. 2122

Large Tree near the Sea

Theo van Rysselberghe, 1919

oil, canvasPointillismlandscapetreesseaskycloudslandscapevegetation
some experience helpful

Recreating this painting will help students develop skills in color mixing, layering, and creating texture with visible brushstrokes. It also provides practice in depicting atmospheric perspective and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the tree, horizon line, and major landforms.

  2. step 02

    Block in the sky with light blue, adding hints of pink and gray for the clouds.

  3. step 03

    Establish the basic colors of the sea, using varying shades of blue and green.

  4. step 04

    Lay in the foundation colors for the land, focusing on the red and brown tones.

  5. step 05

    Begin adding details to the tree, using a variety of greens and browns to create depth and texture.

  6. step 06

    Develop the foreground vegetation, using short, broken brushstrokes to create a sense of movement.

  7. step 07

    Refine the clouds, adding highlights and shadows to create a three-dimensional effect.

  8. step 08

    Add final details and highlights to the entire painting, paying attention to the overall balance and harmony.

color palette

primary · ultramarine blue · titanium white · burnt sienna · yellow ochre

secondary · sap green · cadmium red light · raw umber

Achieve the cloud colors by mixing white with small amounts of blue, pink, and gray. Mix greens by combining blue and yellow, and vary the shades by adding brown or white.

techniques

  • ·broken color
  • ·pointillism (simplified)
  • ·layering
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →overmixing colors
  • →creating muddy tones
  • →losing the overall composition
  • →not varying brushstrokes enough
  • →ignoring atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·easel
  • ·rags

Use a medium-textured canvas to enhance the visibility of brushstrokes. Consider using a limited palette to simplify color mixing.

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