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home·artworks·Maria van Rysselberghe in Jersey
Maria van Rysselberghe in Jersey by Theo van Rysselberghe

plate no. 9007

Maria van Rysselberghe in Jersey

Theo van Rysselberghe, 1907

oil, canvasPost-Impressionismportraitportraitfigurewomantablebookbackground
some experience helpful

Recreating this painting will help students develop skills in color mixing, layering, and capturing likeness while also practicing loose, expressive brushwork. It also provides practice in rendering complex patterns and textures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and key elements.

  2. step 02

    Establish the background with broad strokes of blues and whites, creating the floral pattern.

  3. step 03

    Block in the main shapes of the figure, paying attention to the overall form and pose.

  4. step 04

    Begin layering colors on the face and hands, building up the skin tones with subtle variations.

  5. step 05

    Paint the patterned shirt, focusing on capturing the overall effect rather than individual details.

  6. step 06

    Add details to the jewelry and book, using smaller brushes for precision.

  7. step 07

    Refine the background and foreground, adjusting values and colors as needed.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ultramarine blue · burnt sienna · titanium white · yellow ochre

secondary · viridian green · alizarin crimson

Mix various shades of blue and white for the background. Achieve skin tones by mixing white, yellow ochre, and small amounts of burnt sienna and alizarin crimson. Use viridian green and yellow ochre for the book.

techniques

  • ·broken color
  • ·scumbling
  • ·color layering
  • ·alla prima
  • ·impasto

common pitfalls

  • →Overworking the details in the shirt pattern.
  • →Getting the skin tones too flat or muddy.
  • →Losing the overall form and structure of the figure.
  • →Ignoring the subtle color variations in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine or mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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