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home·artworks·Rainbow over Veere
Rainbow over Veere by Theo van Rysselberghe

plate no. 2101

Rainbow over Veere

Theo van Rysselberghe, 1906

oil, canvasPost-Impressionismcityscapecityscapewaterbuildingsskyrainbowtrees
some experience helpful

Recreating this painting will help students develop their understanding of color mixing and pointillism techniques. It also provides practice in creating depth and texture through small, deliberate brushstrokes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, the main buildings, and the rainbow arc.

  2. step 02

    Establish the sky with light blue and white, using small, individual brushstrokes.

  3. step 03

    Block in the main shapes of the buildings with their base colors (reds, oranges, browns).

  4. step 04

    Add details to the buildings, varying the colors and values to create depth and texture.

  5. step 05

    Paint the water with horizontal strokes of blues, greens, and purples, reflecting the colors of the sky and buildings.

  6. step 06

    Create the rainbow using small dots of the appropriate colors (red, orange, yellow, green, blue, indigo, violet).

  7. step 07

    Add details to the foreground, including the grass and the edge of the water.

  8. step 08

    Refine the details and adjust the colors as needed to achieve the desired effect.

color palette

primary · cerulean blue · cadmium red · yellow ochre · titanium white

secondary · viridian green · dioxazine purple · cadmium orange

Achieve the subtle color variations by mixing small amounts of complementary colors. Use white to lighten the colors and create a sense of atmosphere.

techniques

  • ·pointillism
  • ·color mixing
  • ·broken color
  • ·layering
  • ·scumbling

common pitfalls

  • →Over-blending the colors, which will result in a muddy effect.
  • →Making the brushstrokes too large or uniform.
  • →Not paying attention to the color relationships between the different elements of the painting.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted small round brushes
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use high-quality oil paints for the best results. A smooth canvas surface will be easier to work with for pointillism.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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