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home·artworks·Young woman with hands one over the other
Young woman with hands one over the other by Johannes Vermeer

plate no. 5228

Young woman with hands one over the other

Johannes Vermeer

oilBaroqueportraitfigureportraitheadscarfhandsclothingdark background
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and drapery folds with subtle value changes. It also provides practice in creating a focal point through controlled lighting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure, headscarf, and hands, paying attention to proportions.

  2. step 02

    Establish the dark background with a thin wash of dark brown or black.

  3. step 03

    Block in the main areas of color: skin tones, headscarf, red and blue clothing.

  4. step 04

    Begin layering and blending the skin tones, focusing on the subtle transitions between light and shadow.

  5. step 05

    Develop the folds and highlights in the headscarf, using white mixed with small amounts of other colors.

  6. step 06

    Refine the details of the hands, paying attention to the knuckles and creases.

  7. step 07

    Add highlights and shadows to the clothing, creating a sense of volume and depth.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the focal point is well-defined.

color palette

primary · titanium white · raw umber · cadmium red light · ultramarine blue

secondary · yellow ochre · burnt sienna

Skin tones are achieved by mixing white, yellow ochre, cadmium red, and a touch of raw umber. The blue is muted with raw umber. The headscarf is mostly white with subtle tints of gray and yellow ochre.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending
  • ·layering

common pitfalls

  • →over-blending skin tones, resulting in a flat appearance
  • →failing to create a strong sense of light and shadow
  • →getting the proportions of the figure wrong
  • →using colors that are too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·burnt sienna oil paint

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve blending.

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related guides

oil painting for beginners →chiaroscuro →paint like vermeer →how to learn by studying the masters →
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