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home·artworks·Young Woman with a Water Pitcher
Young Woman with a Water Pitcher by Johannes Vermeer

plate no. 1837

Young Woman with a Water Pitcher

Johannes Vermeer, 1665

oil, canvasBaroquegenre paintingfigurewindowtablepitchermapinterior
some experience helpful

Recreating this painting will help students understand subtle color mixing for realistic skin tones and drapery, as well as how to depict light and shadow to create depth and form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the figure, window, and table.

  2. step 02

    Establish the main light source and block in the large areas of light and shadow.

  3. step 03

    Begin painting the background wall, mixing subtle variations of off-white and gray.

  4. step 04

    Paint the figure's skin tones, using thin glazes to build up color and form.

  5. step 05

    Render the white headscarf, focusing on the folds and shadows.

  6. step 06

    Paint the blue dress, using darker blues in the shadows and lighter blues in the highlights.

  7. step 07

    Add details to the table, pitcher, and other objects, paying attention to reflections and textures.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and realism.

color palette

primary · ultramarine blue · yellow ochre · titanium white · raw umber

secondary · burnt sienna · ivory black · cadmium red light

Mix various shades of white with small amounts of blue, yellow ochre, and raw umber to create the subtle tones of the wall and headscarf. Use glazes of burnt sienna and cadmium red light to add warmth to the skin tones.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·indirect painting

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a strong light source.
  • →Getting lost in the details before establishing the overall composition.
  • →Using too much paint, resulting in a thick, overworked surface.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouching varnish
  • ·easel

Use high-quality oil paints for the best results. A smooth canvas surface is recommended for glazing.

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related guides

oil painting for beginners →chiaroscuro →paint like vermeer →how to learn by studying the masters →
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