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home·artworks·Young Woman in the Atelier
Young Woman in the Atelier by Janos Tornyai

plate no. 7809

Young Woman in the Atelier

Janos Tornyai, 1904

oilRealismgenre paintingfigureinteriorroomtableclothingshadows
some experience helpful

Recreating this painting will help students develop skills in depicting figures in an interior setting and understanding how light and shadow create form and depth. It also provides practice in capturing textures with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and key objects.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the major color areas: the figure's clothing, the walls, and the furniture.

  4. step 04

    Develop the figure's form, paying attention to the light and shadow on her face and clothing.

  5. step 05

    Add details to the background objects, such as the table, mirror, and other items in the room.

  6. step 06

    Refine the brushwork, using visible strokes to create texture and interest.

  7. step 07

    Adjust the values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white · Prussian blue

secondary · cadmium red light · yellow ochre

Mix various shades of brown and gray by combining burnt umber, raw sienna, and white. Use Prussian blue to create cooler grays and blues for the figure's skirt. Add small amounts of cadmium red light and yellow ochre to warm up the browns and create highlights.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·dry brush
  • ·chiaroscuro

common pitfalls

  • →Overblending colors, resulting in a flat and lifeless painting.
  • →Ignoring the value structure and focusing only on color.
  • →Getting lost in the details and losing sight of the overall composition.
  • →Not varying brushstrokes enough to create texture and interest.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·#6 round brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a canvas with a medium texture to allow for expressive brushwork. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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