
plate no. 5700
Julius LeBlanc Stewart, 1877
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as practicing expressive brushwork to create texture and form.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure and headscarf.
Establish the background color with a thin wash.
Block in the main areas of color for the skin, headscarf, and shawl.
Begin refining the skin tones, paying attention to subtle variations in color and value.
Develop the folds and shadows in the headscarf and shawl using short, directional brushstrokes.
Add details to the face, such as the eyes, nose, and mouth, focusing on capturing the subject's expression.
Paint the earring, using highlights and shadows to create a sense of form.
Add final touches and highlights to complete the painting.
color palette
primary · ultramarine blue · burnt umber · titanium white · cadmium red light
secondary · yellow ochre · ivory black
Mix skin tones by blending burnt umber, cadmium red light, yellow ochre, and titanium white. Vary the proportions to achieve different shades. Use ultramarine blue and white for the headscarf, adding small amounts of burnt umber to create shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grit canvas for better paint adhesion. Consider using a limited palette to simplify color mixing.
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