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home·artworks·Young shepherd girl and orange picker in hilly terrain
Young shepherd girl and orange picker in hilly terrain by Francesco Paolo Michetti

plate no. 5497

Young shepherd girl and orange picker in hilly terrain

Francesco Paolo Michetti, 1875

oil, canvasRealismgenre paintingfigureslandscapesheeptreesfoliageoranges
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape setting and understanding how to create depth and texture with visible brushstrokes. It also encourages the study of light and shadow to model forms and create a sense of atmosphere.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and landscape.

  2. step 02

    Block in the main shapes and colors of the background, including the sky, distant hills, and trees.

  3. step 03

    Establish the basic values and colors of the figures, paying attention to the light and shadow patterns.

  4. step 04

    Begin to define the details of the figures, including their clothing, hair, and facial features.

  5. step 05

    Add details to the landscape, such as the foliage, flowers, and sheep.

  6. step 06

    Refine the brushwork and color variations to create texture and depth.

  7. step 07

    Pay attention to the edges and soften them where necessary to create a sense of atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · titanium white · burnt umber · viridian · yellow ochre

secondary · cadmium orange · ultramarine blue · alizarin crimson

Mix greens by combining viridian with yellow ochre and white. Achieve skin tones by blending white, burnt umber, and a touch of alizarin crimson. Use ultramarine blue and white for the sky and distant hills.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·chiaroscuro
  • ·impasto

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating overly sharp edges that flatten the image.
  • →Failing to establish a clear value structure.
  • →Ignoring the subtle color variations in the landscape and figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (titanium white, burnt umber, viridian, yellow ochre, cadmium orange, ultramarine blue, alizarin crimson)
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-textured canvas to allow for expressive brushwork. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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