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home·artworks·Young Mother
Young Mother by Léon Augustin Lhermitte

plate no. 0187

Young Mother

Léon Augustin Lhermitte

oilRealismgenre paintingfigurelandscapetreesmotherchildfoliage
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape setting and using a limited palette to create a harmonious and atmospheric effect. It also provides practice in capturing the subtle nuances of light and shadow on skin tones and fabric.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the landscape elements.

  2. step 02

    Establish the overall color scheme by applying a thin wash of warm earth tones to the entire canvas.

  3. step 03

    Block in the main shapes of the figure, paying attention to proportions and anatomical accuracy.

  4. step 04

    Develop the background landscape, using loose brushstrokes to suggest foliage and distant hills.

  5. step 05

    Refine the details of the figure, focusing on the facial features and the folds of the clothing.

  6. step 06

    Add highlights and shadows to create depth and dimension, using a variety of brushstrokes.

  7. step 07

    Glaze thin layers of color to unify the painting and enhance the atmospheric effect.

  8. step 08

    Add final details and adjust values as needed to create a cohesive and harmonious composition.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · cadmium red light · yellow ochre · ultramarine blue

Mix burnt umber and raw sienna with white to create a range of warm earth tones for the landscape and figure. Add small amounts of cadmium red light to warm up the skin tones and clothing. Use ultramarine blue to cool down the shadows and create atmospheric perspective.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the spontaneity of the brushwork.
  • →Creating harsh lines and edges that detract from the overall harmony of the painting.
  • →Failing to establish a clear focal point and creating a confusing composition.
  • →Using too much color and creating a jarring or discordant effect.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting apron

Use a medium-grit canvas to allow for a variety of brushstrokes. Consider using a toned canvas to establish the overall color scheme from the beginning.

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oil painting for beginners →how to learn by studying the masters →
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