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Young girl by Noè Bordignon

plate no. 3262

Young girl

Noè Bordignon

oil, canvasRealismgenre paintingfiguregirlportraitclothingshadowsindoor
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding and applying chiaroscuro to create depth and form.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's proportions and placement within the scene.

  2. step 02

    Establish the background with broad, blended strokes of warm browns and earth tones, creating a sense of depth and shadow.

  3. step 03

    Block in the main areas of color for the figure, including the skin tones, clothing, and hair, paying attention to the light source.

  4. step 04

    Refine the facial features, focusing on capturing the likeness and expression of the girl.

  5. step 05

    Develop the details of the clothing, including the texture and folds of the fabric.

  6. step 06

    Add highlights and shadows to create form and dimension, paying attention to the interplay of light and shadow on the figure.

  7. step 07

    Refine the edges and details, softening some areas and sharpening others to create a sense of depth and focus.

  8. step 08

    Add final touches and glazes to enhance the colors and create a sense of atmosphere.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre

Mix skin tones using white, red, and yellow ochre, with small amounts of umber for shadows. Create the blue fabric by mixing ultramarine with burnt umber and white for highlights.

techniques

  • ·chiaroscuro
  • ·blending
  • ·glazing
  • ·portraiture
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the overall sense of form and light.
  • →Failing to capture the likeness and expression of the figure.
  • →Creating harsh lines and edges instead of soft transitions.
  • →Not paying attention to the values and creating a flat, lifeless image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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