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home·artworks·Young Girl
Young Girl by Jules Bastien-Lepage

plate no. 9782

Young Girl

Jules Bastien-Lepage, 1882

oilRealismportraitfiguregirlfieldflowersportraitlandscape
experienced study

Recreating this painting will help students develop skills in portraiture, rendering realistic skin tones, and depicting complex textures like fabric and foliage. It also provides practice in creating atmospheric perspective and subtle color variations.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's proportions and placement within the landscape.

  2. step 02

    Establish the background landscape with broad, blended strokes, paying attention to atmospheric perspective.

  3. step 03

    Block in the main shapes of the figure, including the jacket, skirt, and hair, using simplified color masses.

  4. step 04

    Begin refining the facial features, focusing on accurate proportions and subtle value changes to create form.

  5. step 05

    Develop the details of the jacket and skirt, adding texture and folds to create a sense of realism.

  6. step 06

    Paint the surrounding foliage, using a variety of brushstrokes to suggest different textures and depths.

  7. step 07

    Add highlights and shadows to create depth and dimension throughout the painting.

  8. step 08

    Refine the overall composition and details, paying attention to edges and transitions.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · alizarin crimson · ultramarine blue · cadmium yellow light

Mix muted greens for the foliage by blending yellow ochre, ivory black, and a touch of ultramarine blue. Achieve skin tones by combining yellow ochre, titanium white, alizarin crimson, and a small amount of raw umber.

techniques

  • ·portraiture
  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the painting process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or bright.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of the painting.

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oil painting for beginners →how to learn by studying the masters →
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